Kathryn Hahn

Glass Onion (2022) - 1/5

This movie is starts off fairly strong, but finishes abysmally. The cinematography, costume design, sets, acting, etc. are all top notch but their impact all hinges on the solution to the murder mystery, and the solution here is simultaneously stupid, ignorant, and insulting. The film is also continually horny, and seems to exemplify the thing it’s mocking which is never a good sign. There’s an overt political subtext that overtakes the narrative at a certain point, and in the end many of the carefully laid clues don’t make sense.

Closest comparison: It’s like an attempt at a mystery like Knives Out, as clumsily executed as The King’s Man, with a veneer of Fool’s Gold.

Setting: Mystery
Plot: Mystery
Tone: Mystery

WandaVision (Disney+) - 3/5

Most of the draw of this show was its mystique and intrigue. The premise was so outlandish that it kept the audience in a state of wild speculation during the two months it was coming out. But by the end it neither crashed nor stuck the landing, sticking it in the bottom half of Marvel productions. There’s a lot of content here from a lot of angles so mileage may vary on your enjoyment, but if you like a curiosity definitely check it out.

Closest comparison: It’s like The Twilight Zone by way of Too Many Cooks.

Setting: Sitcom through the decades
Plot: Aftermath
Tone: Sitcom / Super hero

Anchorman: The Legend of Ron Burgundy (2004) - 4/5

This is one of the top College Comedy-style movies to come out in its decade and has rightly become a classic as a result. The raunchiness isn’t the focus, taking a back seat to situational workplace shenanigans and relying on comedic writing and delivery. Will Ferrell is good but Steve Carell steals the show whenever he’s on screen. It’s an all-out laugh fest that prides itself on its over-the-top antics.

Closest comparison: It’s like Network (1976) by way of Dodgeball (2004).

Setting: Workplace Comedy
Plot: Biographical Drama
Tone: Sketch Comedy

The Visit - 4/5

This is Shayamalan's second film after the Last Airbender fiasco. It's a return to his light horror and small, contained story roots. The acting and script were good, and combined with the hand-held mockumentary conceit it felt very real. If you like Shayamalan movies and scary movies about crazy old people, give it a try.